In present times, where “the new normal” is changing drastically, the poems are a welcoming read.

It is a comforting, meditative and spiritual book that offers some semblance of solace in these harrowing times.

Cahill’s rendition of Vishvarupa not only looks out into the world, but ambits, and from that sojourn creates something unlimited...

Sethi shows us the uses of poetry; He also moulds his craft to articulate the wise, rare yet universal verities of life.

To see oneself only as a victim simplifies power and excuses the victim from the obligations of ethical behavior in politics, warfare...

Stories are like seeds. I carry them in my belly and some start to grow inside until I absolutely have to let them out.

With narrative history you’re telling a true story, same as with any other kind of history.

You’re willing to go with Palmer’s narrator on his existential quest, and entertain his lofty meta-critiques on contemporary culture.

Brennan is convincing in his rendering of a self-critical intellectual who opened the world’s mind to the impact of language and art.

In this interview, Meg and Tony talk about the evolution of flash, micro, the craft of fiction, and Meg's new collection, Spinning to Mars.

It must be said from the outset that Mac Aogáin’s writing is beyond classification.

Long Time Coming: Reckoning with Race in America brings us to now, the intersectionality of the historical and present.

Double Chiaroscuro: A Review of Balzac’s Lives by Peter Brooks

by John Liddy Kieran Beville opens his book with the appropriate chapter heading, “Making a Start,” and some advice from Stephen King:...

by Nicolas D. Sampson Death in Venice and Other Stories by Thomas Mann, translated by David Luke (Bantam Classics, 1988) ‘But I counsel...

by John Liddy Much has been written by eminent critics on Ezra Pound’s relationship with William Butler Yeats, James Joyce and Samuel...

by John Liddy Zephyr by Mary Mullen (Salmon Poetry, 2010) On first browsing through these poems with my customary “getting to know you”...

by John Liddy The Sear of Wounds by Mark Whelan (Doghouse, 2012) In my copy of Mark’s last published book, The Sear of Wounds, he wrote a...

by Anjanette Delgado What is it about the ugly, the scatological, that has such power to break us open? To clear our defenses and...

In this interview Christine Sneed and Tony Huang talk about Sneed's flash piece "First Date" and much more.