top of page

A Review of Jack R. Lundbom’s “Amos, Hosea and Micah: Hebrew Prophets of the Eighth Century”

Writer: EditorEditor

Updated: 5 days ago

By Tony Huang and Nancy He




Amos, Hosea, and Micah: Hebrew Prophets of the Eighth Century, by Jack R. Lundbom (Cascade Books, 2021)
Amos, Hosea, and Micah: Hebrew Prophets of the Eighth Century, by Jack R. Lundbom (Cascade Books, 2021)

Jack R. Lundbom’s Amos, Hosea and Micah: Hebrew Prophets of the Eighth Century meticulously examines the complex social and spiritual dynamics of ancient Israel through the perspectives of three significant prophets. His engaging narrative not only sheds light on the historical context of these figures but also invites readers to grasp the profound relevance of their messages in today’s world.

 

From the outset, Lundbom pulls the reader into the eighth century B.C., a time marked by political turmoil and prosperity, contrasting the outward appearance of stability with the troubling undercurrents of social injustice and moral decay. In this way, Lundbom skillfully mirrors contemporary societal issues, drawing parallels between ancient and modern practices of hypocrisy, consumerism, and the exploitation of the vulnerable.

 

Lundbom’s style is both informative and provocative, as seen in his portrayal of Amos—the shepherd prophet whose unvarnished truths hit like a “truth bomb.” By presenting Amos as a figure capable of causing disruption amidst a complacent society, Lundbom emphasizes the importance of accountability and the demand for justice that extends beyond personal or national boundaries. He adeptly captures how Amos starts by vocally condemning foreign nations, thereby building a compelling case against Israel’s own moral failures—a technique that appears strategic and masterful.

 

In delineating the contrasting styles of the prophets, Lundbom provides a multifaceted exploration of their messages. Hosea’s insights delve into personal and relational dimensions, characterized by the metaphor of marriage—a poignant representation of Israel’s spiritual infidelity. Here, Lundbom’s narrative becomes deeply personal, encapsulating the heartache of a broken relationship while illuminating the steadfast and unconditional love of God.

 

In parallel, Micah’s fierceness is accentuated through vivid and shocking imagery, such as depicting corrupt rulers as “cannibals.” This imagery is not merely for sensationalism; it serves a critical function of awakening societal conscience. Lundbom’s vivid descriptions compel readers to confront the stark realities of injustice, urging an emotional connection with the text that cultivates a sense of urgency and responsibility.

 

The thematic continuity throughout Lundbom’s work is underscored by the prophets’ shared focus on justice, compassion, and humility. His ability to distill complex theological concepts—like the sustained love embodied in hesed—makes them accessible to a modern audience. This synthesis of scholarship and emotional depth invites readers to reflect on their lives and consider the practical implications of these ancient texts.

 

Moreover, Lundbom’s conclusion resonates powerfully, echoing Micah’s exhortation to “act justly, love mercy, and walk humbly.” This directive encapsulates the essence of the prophetic literature, serving as a timeless challenge for readers to reflect on their own actions within current societal structures.

 

Overall, Lundbom’s Amos, Hosea and Micah stands out as not just a scholarly examination of biblical figures but as a compelling call to engage with the world through a prophetic lens. His stylistic choices—ranging from relatable metaphors to stark imagery—craft a sophisticated narrative that illuminates the core messages of these eighth-century prophets, making them palpably relevant in contemporary discourse. In the spirit of the prophets he examines, Lundbom encourages a commitment to justice, love, and humility, making this work a resonant guide on both an intellectual and spiritual journey.





Tony Huang
Tony Huang

Tony Huang, PhD, is the founder and editor-in-chief of The Hong Kong Review. He is also the founder of Metacircle Fellowship, Metacircle (Hong Kong) Culture and Education Co., Ltd. and Metaeducation. He works as a guest-editor for SmokeLong Quarterly. His poems and translations have appeared in Mad Swirl, The Hong Kong Review, The Best Small Fictions Anthology Selections 2020, Tianjin Daily, Binhai Times, SmokeLong Quarterly, Nankai Journal, Large Ocean Poetry Quarterly, Yangcheng Evening News and other places.





Nancy He
Nancy He

Nancy He, PhD, is Managing Editor of The Hong Kong Review. A scholar of comparative and world literature, she also specializes in biblical literature and translation studies.


 
 
 

Comments


ABOUT US

The Hong Kong Review is an international journal of literature, culture and the arts. It is based in Hong Kong and Tianjin.

ADDRESS

2306 Prosper Commercial Building, 9 Yin Chong Street, Kowloon, Hong Kong

2-4, Chengxiang Mansion, Nankai District, Tianjin

902 Baolong Center, Siming District, Xiamen

SUBSCRIBE FOR EMAILS

ALL CONTENTS © 2018-2025 The Hong Kong Review @ MCE (Hong Kong). ALL RIGHTS RESERVED.

bottom of page